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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院努努老大的小偷小摸山海三言生活点滴第三季神探大战独家纪录片不能犯真情难觅红酒烩鸡2三毛流浪记续集霸道总裁别吻我师父出马（粤语版）三人行仇恨诱饵希腊欢迎你（国语版）后天杀人狂巨蟒剧团之飞翔的马戏团 第二季猪头，我的车咧？美国之子未来世界2018蛇梯迷局开心哆来咪网红妈妈羌笛颂朝圣2017弹子球游戏第一季领袖和我们同劳动雾之旗1977秘密2013武林大战之龙闯天涯
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院努努老大的小偷小摸山海三言生活点滴第三季神探大战独家纪录片不能犯真情难觅红酒烩鸡2三毛流浪记续集霸道总裁别吻我师父出马（粤语版）三人行仇恨诱饵希腊欢迎你（国语版）后天杀人狂巨蟒剧团之飞翔的马戏团 第二季猪头，我的车咧？美国之子未来世界2018蛇梯迷局开心哆来咪网红妈妈羌笛颂朝圣2017弹子球游戏第一季领袖和我们同劳动雾之旗1977秘密2013武林大战之龙闯天涯