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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?小草影院韩国电影神马影院光棍影院星空影院替罪丫环紧急呼救：孤星 第三季绅士的启示联盟致命柔情飓风奇劫 （国语版）椰子英雄小士兵一家老小向前冲0节课是合群人士时间旧日噩梦糖豆八部塚原卜传镖行天下之神武大炮天使特警宝石美女战斗人4朋友传世第一季正常人第一季重案行动之捣毒任务 （国语版）夜迷宫我的白鲸男友第一季生活与贝丝 第二季甜蜜十一月
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?小草影院韩国电影神马影院光棍影院星空影院替罪丫环紧急呼救：孤星 第三季绅士的启示联盟致命柔情飓风奇劫 （国语版）椰子英雄小士兵一家老小向前冲0节课是合群人士时间旧日噩梦糖豆八部塚原卜传镖行天下之神武大炮天使特警宝石美女战斗人4朋友传世第一季正常人第一季重案行动之捣毒任务 （国语版）夜迷宫我的白鲸男友第一季生活与贝丝 第二季甜蜜十一月